Isn't this home just gorgeous? It's a hidden gem in the middle of downtown Annapolis. Located 186 Prince George Street, this Georgian style home was built by William Paca, who was one of the signers of the Declaration of Independence. The home is owned by Historic Annapolis and the State of Maryland, who bought it and then did the work to get it declared a National Historic Landmark in 1971.
There's a bunch of great videos on youtube showcasing the Paca House. I've put links to 2 of them below, one by Alisha Miller, and the other by the magazine Donne Tempo.
William Paca was a patriot leader who signed the Declaration of Independence in 1776 and served as the State of Maryland’s third Governor. After marrying the wealthy and well-connected Mary Chew in 1763, the young lawyer built a five-part brick house and terraced pleasure garden on two acres of land in Annapolis. The couple had three children, but only one of them survived to adulthood, and they cared for an orphaned niece for several months. In addition to Paca family members, the mansion also housed a number of servants and slaves.
Painstakingly restored to its original splendor using details drawn from historic artwork and archaeological excavations, the two-acre colonial William Paca Garden is a picturesque retreat from the bustle of the city. Visitors can view native and heirloom plants while exploring the terraced landscape’s formal Parterres, naturalistic Wilderness, and practical Kitchen garden. The charming Summerhouse beckons guests to cross the latticework bridge over a fish-shaped pond. The garden frequently hosts weddings, receptions, and other special events.
After William Paca sold it in 1780, the house continued as a single-family home until 1801, then served mainly as a rental property for much of the 19th century. In 1864, it was purchased by Catherine Steele Ray, a widow whose sons-in-law, both graduates of the nearby U.S. Naval Academy, fought on opposite sides in the Civil War.
National tennis champion William Larned bought the property in 1901 and converted it into a hotel, with a large addition attached to the back of the colonial house and extending over most of the old garden. For much of the 20th century, Carvel Hall was Annapolis’s finest hotel. One African-American staff member, Marcellus Hall, came to personify the hotel’s famed hospitality for generations of guests. He started working as a bellboy in 1913 and retired as Superintendent of Services when Carvel Hall shut its doors for the last time in 1965.
Concerned that developers might tear down the home of a Signer of the Declaration of Independence, Historic Annapolis and the State of Maryland bought the Paca mansion and the rest of the Carvel Hall site in 1965. Over the next decade, a team of experts—archival researchers, archaeologists, architectural historians, paint analysts, x-ray photographers, carpenters, masons, landscape designers, horticulturists, and other skilled professionals—restored the William Paca House and Garden to their 18th-century appearances. The site was recognized as a National Historic Landmark in 1971.
The gardener in me would be remiss to not mention something about them. In a nutshell, they're beautiful. The gardens host many events, such as the Paca Girlfriend's Party in June each year. Again, I can't do them justice with my words, so here's from their website:
The William Paca Garden is a two acre oasis of natural beauty in the bustling center of Annapolis’ Historic District. Although many colonial Annapolitans had gardens, only Paca’s has been returned to its original splendor and opened to the public. Intrigued by garden details in the background of Charles Willson Peale’s 1772 portrait of Paca, researchers were able to reconstruct the site from a series of archeological digs that turned up evidence of the garden’s former glory.
The brick walls enclose a series of terraces characteristic of colonial gardens in the Chesapeake region. The uppermost terrace serves as a platform for entertaining and viewing the garden. The next two levels are laid out in parterres, geometric designs that demonstrate human control over nature. The Rose Parterre is filled with heirloom varieties, while the Flower Parterre provides three seasons of colorful bloom. The Holly and Boxwood Parterres provide year round structure with their carefully shaped evergreen plants.
The Summerhouse, reconstructed from the Paca portrait, serves as a focal point in the garden. On its upper floor the Paca family could view the garden, entertain guests, and catch cool summer breezes. The Chinese style latticework bridge provides a path over the pond to this inviting garden retreat.
The Summerhouse sits in the Wilderness, which reflects the picturesque style of gardening that was fashionable in England after 1740. Serpentine pathways meander between beds of mixed plantings. The emphasis today is on native plants of North America that had been brought into cultivation by Paca’s time.
Paca conceived water features to contain and channel the natural runoff across his property. A small brick canal once again carries water away. A natural spring, still active after several centuries and once again sheltered by a springhouse, feeds the pond. In Paca’s day, the spring water also supplied a bath house in the opposite corner of the garden.
Plants of the 18th century are known from books and letters. Roses, perennials and annuals in the parterres reflect what would have been available in the colonial period. The Kitchen Garden provides fresh delicacies such as salad greens, peas and melons. In the fruit garden heirloom varieties of apples, pears, plums, cherries and figs are carefully trained into espaliers and cordons to take advantage of limited space in an urban garden.
Once covered by a 200 room Historic Annapolis oversaw its restoration in the 1970s and continues to manage it. Many gardeners make a ritual of attending the Paca Garden Plant Sale on Mother’s Day weekend every year.